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Charles Lyell

From Newsscan.com:

Today’s Honorary Subscriber is the Scottish geologist Sir Charles Lyell (1797-1875), who popularized the theories, methods, and principles on which the modern science of geology is based.

Lyell’s major contribution was demonstrating that physical, chemical, and biological forces operating over long periods of geological time produced all features of the Earth’s surface. This was intended to contradict the prevailing theory that the Earth’s properties are the result of a short period of catastrophic upheaval and flooding. Lyell’s extensive investigations of rock formations and the strata of the earth’s crust convinced him his data were better explained by James Hutton’s uniformitarian theory of gradual and ongoing change. Hutton’s views had been known for 40 years, but had little support until Lyell took it up as the guiding framework for his popular three-volume work, “The Principles of Geology.” The other major work of Lyell was his 1863 publication “The Antiquity of Man,” in which he applied Darwin’s evolutionary views to the development of man, a position that Darwin himself had not yet proposed.

Lyell was born at Kinnordy in eastern Scotland. The eldest of 10 children, Lyell attended a series of private schools, and at age 19 entered Oxford University, where he studied the classics, mathematics, and geology. In 1819 he earned a B.A. with honors and moved to London to study law (but found relief from his legal studies by taking geological excursions to examine formations in the Earth’s crust and sedimentation in freshwater lakes). Admitted to the bar in 1825, he continued his geological investigations, with the intention of gathering evidence to support his conviction that the ordinary natural processes of today do not differ in kind or magnitude from those of the past — and that the Earth must therefore be very ancient because these everyday processes work so slowly.

Read the rest in the September 09, 2004 issue of Newsscan.com

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Quote

“The most exhausting thing in life is being insincere.” — Anne Morrow Lindbergh

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California Tipping in the Ocean

There is nothing like the sea. Bodysurfing off the coast of Ventura on Wednesday evening, the ocean carrying me from surf to shore, was truly a treat for body and soul. The Pacific and her awesome vastness will never cease to amaze me, whether I encounter her in Oregon, San Diego or Baja California. When I walk on those shores and look out at the endlessness … oh, mother. I fancy myself a mermaid in a previous existence. Pisces to water, or something like that. Of course, the allergies are back upon landing in New Orleans.

California Field Trip 2004

Coastal California. I can only begin humming Thomas Dolby’s Screen Kiss:

Miller time at the bar where all the English meet
She used to drink in the hills,
only now she drinks in the valley.
Where every road has a name like Beachwood Avenue or so it seems,
a Croydon girl could really hope to find a home.
With a thousand miles of real estate to choose from,
you begin to see the value of your freedom.

The moon is bright in the haze above old Hollywood
and deer look down from the hills
And it’s three o’clock in the morning
Pill in hand you can hear his golden surfer voice
crying out, mummy won’t come out of the bathroom
And you’d hoped he’d say he’s sorry if he hit you
but he’s buried in the screenplay of his feature

Screen kiss, one screen kiss
Straight from a film I forget who was in
Screen kiss, one screen kiss
Blue filter lens, a pool of vaseline

But all the rushes look the same
Only there’s a movie I wouldn’t pay to see again
if it’s the one with him in

You and I could be a mile above the earth tremors
Hold to me and we’ll climb
You could sneak out while he’s sleeping
Suicide in the hills above old Hollywood
is never gonna change the world.
Change the world overnight
Any more than the invention of the six-gun, child
Any more than the discovery of Radium,
or California tipping in the ocean

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Finn For All

8 times! 8 times I’ve tried to catch Neil Finn live in concert and finally succeeded. Neil Finn has got to have one of the most amazing lyrical voices in the music industry. Guy’s almost 50 but still retains his boyish voice and charm. That was a great show, some old standards, some new! And I got to stand a mere 5 feet away from Neil … swoooon!

A nice, small environment at the House of Blues, close to the action, great songs, and a very respectful crowd. They started with songs from Finn, their first brother-act album and then went into a few from Woodface and the later Enz albums, all sprinkled with material from their latest album, which I pre-ordered and will be out August 28th. Not a whisper from Temple of Low Men – boooo. Through it all, Tim either played keyboards or flailed about with a tambourine like a flamingo with balance issues – that was funny. They closed with Four Seasons in One Day, which made me feel quite melancholy for a while after.

Did I tell you I got to stand 5 feet away from Neil for one song, before the speakers got too loud?!

LAB replies to my review: “He is only 45! Isn’t his voice beautiful? It’s too bad you couldn’t have seen him solo, or with Crowded House. He rocked out a lot more then. Hopefully he will release another solo album sometime soon, and then we will get another solo tour! I would have loved to hear Four Seasons, such a beautiful song. The song list will be posted on the frenz of the enz site.

7 Worlds Collide, the live CD, is really good. Johnny Marr is all over it and what’s his bucket from the Smiths sings “There is a light that never goes out,” which I always thought was a funny song. That’s my weird sense of humor for you! (Morrisey … blanked out for a minute).

I have to liven up my Enz/Crowdies/NeilFinn CD collection. Lessee:

Best Crowded House: Temple of Low Men, Woodface, and Together Alone. Their first (Crowded House) is just OK.

Best Neil: The new(er) Neil Finn – One All, is again just OK. I love Try Whistling This. One All has too much basement stuff (see below).

Best Enz: Coroboree or True Colors – the Greatest Hits CD

Best Finn Brothers: None? Don’t really like ’em. Sounds too much like they were written and recorded in the family basement. (Probably true.) But I have them anyway.

One Nil: So-so. It’s called One All in the the States because I guess Americans are idiots and don’t understand what “Nil” means. There are some good songs on it, but nothing as good as Sinner or King Tide from the first solo CD. It’s much more mellow.

Together Alone, the last Crowded House CD, is a solid album. Nails in My Feet is a great song that didn’t make it on Recurring Dreams.

Here’s an interesting website I came across with CH record reviews. This guy certainly has a love/hate relationship with CH. Note especially the Lord of the Rings paragraph.

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According to a Boston Globe article, the federal government has ordered that some pamphlets already issued to federal depository libraries be taken out of circulation and returned because they are internal. Librarians note that the information has long been in the public domain and are resisting the order.

Full article

from boston.com.

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